The Embodied Art of Mask-Making.
3-part Series from 1 to 4 pm (Nov 16, Nov 30, and Dec 2)
Join us for one or all workshops, limited capacity, so register early!
Nov 16: In this hands-on workshop, participants will explore the rich histories of mask use across spiritual, folkloric, and theatrical traditions—with a particular focus on Ukrainian masking practices. Through a short introduction and visual presentation, participants will examine how masks have been used in rituals and performance, from village festivals to Commedia dell’arte, drawing inspiration from personal books and reference materials that will help spark ideas for your own creation.
After considering different examples, participants will begin designing their own mask using materials like plaster gauze, natural elements (sticks, hay, faux fur), and paper maché. Those working with plaster or paper maché will complete the sculpting stage by the end of the session to ensure adequate drying time for later decorating and finishing.
No experience is required—just curiosity, creativity, and a willingness to explore this timeless and expressive art form.
Nov 30: In this session, participants will continue developing and completing their masks. Those working with plaster or paper maché will move into the final stages—refining their forms, then adding paint, varnish, and finishing details to bring their creations to life.
New participants are welcome to join! While the paper maché process requires a longer drying period and won’t be available to new participants, alternative methods using plaster bandages (which harden within 30 minutes) and natural materials (such as sticks, hay, and faux fur) can be explored. These masks can be completed during the session or easily finished at home with guidance provided.
Whether you’re returning or just joining in, this workshop offers a supportive, creative environment to deepen your engagement with the embodied art of mask-making.
Dec 2: This movement-based workshop explores the art of embodying the mask—bringing it to life through physicality, character, and imagination. Rooted in folkloric traditions of embodiment and play, the session guides participants in developing a distinct body for their mask and discovering the character that emerges through movement.
While designed to follow a mask-making session, this workshop is open to all, including those who did not participate in creating a mask. Participants who have made their own masks are encouraged to bring them, but additional masks will be provided for those joining for the first time.
Drawing on techniques from physical theatre and clowning, this workshop offers a playful, intuitive approach to exploring identity, archetype, and storytelling through the body. No performance experience is needed—just a willingness to move, explore, and step into the unknown.
Note: Open to UofT students first; open to general public a couple of weeks before the workshop.
If you are a University of Toronto student, you can sign up for free! Follow this link.
Location Details: Hart House Theatre is only accessible from the outside of the Hart House building. It is located in the sub-basement of Hart House. The entrances to the Theatre (Audience Entrance and Stage Door) are outside of the building on either side of the entrance into the Arbor Room Cafe. Please enter through the Stage Door, located under the blue UofT banner. There are two flights of stairs to enter the Theatre.
This workshop is part of the Talking Walls series connected with the Kosa exhibition at Hart House, running Nov-Feb. For the full program listing see the Hart House website.
Hart House, a centre for experiential learning at the University of Toronto, has served as a gathering place since 1919. Located in a historic neo-Gothic building, it offers space for arts, dialogue, wellness, and community engagement, welcoming students and the broader public year-round.